Music
in the Metro
I've been working as a photographer for about 10 years and still
get a thrill when an image appears in a tray of developer. Printing
is a very important part of the process as it enables me to take
an image from its conception to its completion. In the darkroom
I can interpret an image until it says what I intend it to say.
The feel of a photograph, the sense of it, that is what is important
to me. I want to communicate to you what I feel- an emotion, a feeling,
a sense of sound, a sense of joy, of sadness, of fear, etc.
The Metro invokes
a variety of emotions. The speed, the propulsion of the trains,
the metal carriages that transport strangers together in an underground
world to work, home, an evening of fun, a visit to a sick friend,
or wherever. Sometimes, alone at night in a deserted station, there
is a sense of trepidation if not outright fear. At times the crowds
are so thick and hurry so fast that one almost feels swept away
with them.
But there is
a rhythm, a song, and music within the metro. The crescendo as the
trains approach, the accelerando as they depart and disappear into
the darkness. The soft sounds of the bells that sing "do-so-me."
Waiting in a station at the end of a line, watching trains circle
back to return and repeat their journey is like being inside a rondo.
The melodies of the trains go round and round.
Combining two
images into one is like writing a song. One image is the melody;
the other is the harmony.
Jackie
Cytrynbaum
Home
page | Collection
| Dissertation
Bibliography
| Credits
Comments
and suggestions
|