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Summary
Marc-Aurèle
Fortin and
the Bouse in Canadian Painting
by Jean-René Ostiguy
Article en français
Page 1
In this article Mr Ostiguy discusses the treatment of the
house as an important element in the composition of Canadian
landscape painting. In the work of Fortin, the Quebec artist, the
landscapes are almost entirely dominated by the theme of the house.
Of 108 works listed in the catalogue of the retrospective exhibition
of paintings by Fortin, organized by the National Gallery in 1963,
sixty-three paintings use the house as subject matter. Fortin's
contribution to Canadian painting rests largely on the works paying
homage to houses, dwelling places interpreted in a warm and poetic
manner. Houses painted by Morrice or Leduc are filled with human
beings, living, thinking, and acting. There are lights from the
windows and smoke from the chimneys. Such is not the case in
Fortin's landscapes: in his paintings it is the house itself which
occupies and dominates the picture plane.
Though at first he borrowed from Cullen, Fortin is imaginative and
inventive. A certain fauvism is apparent - a quality which has been
prevalent throughout his career. The work of Fortin merits respect;
it compares favourably to that of many others, it is of minor
reputation perhaps, but nevertheless appreciated.
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