A.Y. Jackson's
support and influence were instrumental to the formation of
a Montréal group closely associated with the Group of
Seven. The Beaver Hall Group was comprised of approximately
19 artists (11 men and 8 women). During its existence, the Group
shared studio space and held exhibitions; they also made a name
for themselves, and helped to carve out a place for women's
art in the new Canadian art scene.
In 1932,
Savage and many of the former Beaver Hall Group went on to join
the Canadian Group of Painters, which itself had evolved out
of the Group of Seven and their philosophy. This new group,
which included several women artists, wanted to represent the
broad range of styles and themes from artists across the country.
