Auditorium
he Auditorium
was added to the Academy in 1910, during the Hooper Wing building
campaign. The design was executed by Thomas Hooper in the Edwardian
style. Named for King Edward of England, the Edwardian aesthetic was
a simple version of the neo-classical architecture that had been adopted
for the other wings at St. Ann's. Extending from the south of the
1910 wing, the auditorium
projected out along the Blanshard Street side of the grounds; the
exterior was decorated with subtle pilasters, a flattened version
of the column form, that were also to be seen along the main façade.
A flat roof was chosen, in contrast to the Mansard design of the Hooper
classroom addition. This added to the clean horizontal and vertical
lines of the architecture.
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Inside, the auditorium
space was typical of theatre architecture. Almost 300 seats, made
of wood and set in metal bases affixed to the floor, were the gift
of the students of the Graduating Class of 1912.. A central block
was flanked by shorter rows of chairs, with wide aisles in between.
The floor was designed with a gentle slope, to provide the people
sitting at the rear with a better view, but the students were often
seated according to height, regardless.
Large windows with coloured art-glass panes were installed at the
time of construction. The work is that of A.J. Roy, a local glazier
with a shop on Yates Street. These windows were beautiful to look
at, but allowed far too much light during afternoons when the Sisters
attempted to show films for the pupils. Mr. Roy left his signature
on the window over the main entrance, and when the craftspeople of
Mercer and Schaefer Glass Studios completed the restoration of the
glass work in the auditorium, they too followed the tradition of signing
one of the windows.
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The "flag
gallery" above the stage was an area hidden from the audience,
where costumes were stored and backstage work was done during performances.
A projectionist's booth was built off the rear wall, over the entrance.
This wooden platform could hold equipment such as film projectors.
Although enclosed by a wooden railing, this booth was open to the
audience and stage. There was very little in the way of a "backstage"
area, but 10 music practice rooms were built behind the stage, on
two levels.
Click
for more on the Auditorium
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Click
here to view a 360 degree panorama view of the Auditorium
as it is today.
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