Skull Stuffing and Its Discontents Le Canard Enchaîné and the uses and abuses of memory
Allen Douglas, War, Memory, and the Politics of Humor. The Canard Enchaîné and Word War I (Anthony Purdy)
Life in a Work of Art: The great chain of reading
Gerald Gillespie, Proust, Mann, Joyce in the Modernist Context (Monica Spiridon)
Marina Guglielmi, Virginia, ti ricordi. Le riscritture di Paul et Virginie (Nora Moll)
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Desafiando la femineidad ó como desafiar las lecturas científicas
Eva Gundermann, Desafiando lo abyecto. Una lectura feminista de Mejor desaparece de Carmen Boullosa (Asunción Luengo)
Gender and Sexuality in (Post)liberal Vienna
David S. Luft, Eros and Inwardness in Vienna: Weininger, Musil, Doderer (Sorin Tomuţa)
Harold Mah, Enlightenment Phantasies: Cultural identity in France and Germany 1750-1914 (Gerald Gillespie)
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Interview
Philosophical Divorce, Literary Wedding A Conversation with Agnes Heller (Mirko Lauer)
Note (Cătălin Constantinescu)
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L'Invention de soi dans la littérature européenne (1900-1950)
Laurent Mattiussi, Fictions de l'ipséité : Essai sur l'invention narrative de soi (Beckett, Hesse, Kafka, Musil, Proust, Woolf) (V. Colonna)
Christian Moraru, Rewriting: Postmodern narratives and cultural critiques in the age of cloning (Fevronia Novac)
Claudia Natterer, Faust als Künstler: Michail Bulgakovs Master i Margarita und Thomas Manns Doktor Faustus (Vladimir Sabourin)
Stefan Neuhaus, Sexualität im Diskurs der Literatur (Ingrid Streble)
George Pistorius, Marcel Proust und Deutschland. Eine internationale Bibliographie (Jörg Theis)
Luis M. Calvo Salgado, Milagros y mendigas en Burgos y la Rioja (Claudia Carranza Vera)
Cornelia Schulze, The « Battle of the Sexes » in D.H. Lawrence's Prose, Poetry and Paintings (Eva Werth)
(T)ropes of Agony: Recent Poetry from the Niger Delta
Uche Peter Umez, Dark through the Delta (Okeawolam I. Diala)
Hoa Hoï Vuong, Musiques de roman: Proust, Mann, Joyce (Gerald Gillespie)
Jean Weisgerber, La Muse des jardins: Jardins de l'Europe littéraire (1580-1700) (Gerald Gillespie)
Michael Wood, Franz Kafka (Carmen-Mihaela Barbu)
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