Preferred Language/ Langue préférée

March 2012: Greg Hollingshead

Photo by Kim Griffiths

Greg Holling­shead, pres­i­dent of TWUC

Our fea­tured mem­ber this month is Greg Holling­shead, writer pro­fes­sor Emer­i­tus and pres­i­dent of the Writ­ers Union of Canada (TWUC). Greg has pub­lished more than five dozen sto­ries and essays in mag­a­zines and antholo­gies in Canada, the U.S., and the U.K. His book The Roar­ing Girl (Somerville House) won the 1995 Gov­er­nor General’s Award for Fiction.

Writer or professor?

cover of Bedlam by Greg HollingsheadI was a pro­fes­sor for 30 years, but now I’m retired. From about Year 20 of my teach­ing career, I was mainly teach­ing cre­ative writ­ing. I have always defined myself as a writer first, but teach­ing lit­er­a­ture can go with that just as well as teach­ing cre­ative writ­ing can. My aca­d­e­mic field was eighteenth-century British lit­er­a­ture. It was a plea­sure to bring my inter­ests together in Bed­lam, a novel set in the Lon­don asy­lum by that name, around 1800. I could almost hear the voices, because I had read enough on the eigh­teenth century.

On being involved with TWUC

Thirty years this year, I think it is, I have been a mem­ber of TWUC. For me the Union pro­vides what most of our mem­bers value most: a sense of com­mu­nity and a voice for advo­cacy. More per­son­ally, I was a friend of Matt Cohen’s in the days when he was part of the fight for the Pub­lic Lend­ing Right (PLR), which has con­tin­ued to be a won­der­ful pro­gram for writ­ers. I think of my ser­vice as chair this year as in mem­ory of Matt.

Impor­tant issues at TWUC – Is there a life after bill C11?

Cana­dian books in the schools is a big one. Oth­er­wise what is now dom­i­nat­ing our mem­bers’ atten­tion is dig­i­ti­za­tion and all its impli­ca­tions, includ­ing roy­alty rates for ebooks and the growth of self-publishing.

In Sep­tem­ber we launched A Writ­ers’ Bill of Rights for the Dig­i­tal Age, in which we attempt to stake out some claims con­cern­ing what a writer should expect of pub­lish­ers, agents, and libraries in these shift­ing times.

On the impor­tance of the CCA

It has been tremen­dously enlight­en­ing to hear voices from other arts organizations–particularly those from Que­bec. I find French-Canadian arts sec­tor peo­ple very sym­pa­thetic, and I appre­ci­ate the remark­ably sane way they often go about things. The 75-page doc­u­ment of pro­posed copy­right amend­ments, signed by 68 arts groups (Eng­lish and French) and dis­sem­i­nated under the aegis of the CCA, has been a mile­stone of coop­er­a­tion and good will.

“Sol­i­dar­ity” is what our mem­bers most con­sis­tently seek in us, and that is what we find in the CCA.

World Poetry Day – And your favorite poet is…

I love the work of Don McKay and Anne Car­son for such com­pletely dif­fer­ent rea­sons that I couldn’t say one or the other. Don has a rel­a­tively new poem about fer­ries I don’t remem­ber the title. I heard him read it. It’s a very fine, mov­ing piece, about death, really. I love Anne Carson’s poem “Good Dog.”

Greg Hollingshead by Rosa Spricer

Photo by Rosa Spricer

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